Digitizing: Difference between revisions

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Digitizing tapes is fairly straight forward, and doesn't require any specialized equipment. Before starting you should '''inspect your tape for mold, sticky shed and any other issues''' that could lead to the tape being damaged during playback. A detailed inspection process can be found [[I Found A Tape#Inspecting the tape|here]].
Digitizing tapes is fairly straight forward, and doesn't require any specialized equipment. Before starting you should '''inspect your tape for mold, sticky shed and any other issues''' that could lead to the tape being damaged during playback. A detailed inspection process can be found [[I Found A Tape#Inspecting the tape|here]].


In addition, you should inspect the condition of your ''player'' before playing any tapes of value. Check the inside of your player (where the tape goes) and make sure it's free of dust and make sure all the belts in the player are tight, not sticky and not degraded. Also make sure the [[wikipedia:Tape_transport|tape transport]] mechanism is intact and the pinch roller is not sticky, cracked or chipped.
In addition, you should inspect the condition of your ''player'' before playing any tapes of value. Check the inside of your player (where the tape goes) and make sure it's free of dust and make sure all the belts in the player are tight, not sticky and degraded. Also make sure the [[wikipedia:Tape_transport|tape transport]] mechanism is intact and the pinch roller is not sticky, cracked or chipped.


Even if everything looks good, it's worth doing a test run with a blank (or worthless) cassette, just to make sure it doesn't get '''chewed''' or mangled because of faulty tape transport. You don't need to do this before every digitization, but you definitely should for your first time using the player.
Even if everything looks good, it's worth doing a test run with a blank (or worthless) cassette, just to make sure it doesn't get '''chewed''' or mangled because of faulty tape transport. You don't need to do this before every digitization, but you definitely should for your first time using the player.
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== Hardware setup ==
== Hardware setup ==
Your tape player will have one or more ways of outputting sound, and to digitize a tape, we need to take the '''output''' of the player and feed it into the '''input''' of your computer. This will likely involve ''adapting'' the connector on your player's output to the 3.5mm audio jack on your computer or laptop.
Your tape player will have one or more ways of outputting sound, and to digitize a tape, we need to take the '''output''' of the player and feed it into the '''input''' of the computer. This will likely involve ''adapting'' the connector on your player's output to the 3.5mm audio jack on your computer or laptop.


The most common output connectors are: RCA, Quarter inch (TRS) and Quarter inch (TS).
The most common output connectors are: RCA, Quarter inch (TRS) and Quarter inch (TS).


'''RCA connectors''' are the old, red and white connectors seen on old TVs. Those old TVs also had a yellow cable, but we don't need it since it's for video.
==== RCA connectors ====
[[File:RCAcables.svg.png|thumb|183x183px|Illustration of Male and Female RCA connectors.]]
RCA connectors are those old, red and white connectors seen on the back of old tech appliances such as CRTs, VCRs, and gaming consoles. They are usually paired with a yellow connector, but decks do not have this since the yellow connector is solely for video output. This is the outlet you will see the most as all cassette decks new and old have these on the back of the unit. The only players that do not have this option are portable players (i.e. Walkmans, Nikola Tesla KC-18, Crosley boomboxes) and some combo units. On some decks, the female connectors aren't color-coded so just keep in mind that white corresponds to the left channel and red corresponds to the right channel.[[File:TS+TRSCables.png|thumb|Different types of phone connectors.|left|349x349px]]
==== Phone connectors ====
Other than RCA output, a cassette deck also has another output method: '''Phone connectors'''.


Next there are two different types of quarter inch setups: '''TRS''' and '''TS'''.
Ever wondered what those abnormally large headphone ports are for? Those are for a special phone connectors: TRS and/or TS.  These connectors are about a quarter-inch thick and are older than the RCA connectors. In a time before the 3.5mm format, these were used for headphones.


'''TRS (Tip, Ring, Sleeve)''' connectors are basically 3.5mm audio jacks but bigger. They carry '''stereo''' audio over one cable, and that's usually what the ''phones'' port on your player uses.
===== TS (Tip, Sleeve) =====
TS connectors are basically 3.5mm audio jacks that you see on wired headphones or aux cables but bigger. You may recognize these plugs as they're most commonly used for electronic instruments like electric guitars, amps and microphones. TS connectors will usually be found as quarter inch plugs on the back of the player, and each of them carries a '''mono''' signal.  


'''TS (Tip, Sleeve)''' connectors will usually be found as quarter inch plugs on the back of the player, and each of them carries a '''mono''' signal.  
===== TRS (Tip, Ring, Sleeve) =====
TRS connectors carry '''stereo''' audio over one cable, and that's usually what the ''phones'' port on your player uses. This is because before 3.5mm was a thing, these connectors were used. While it isn't widely used anymore, headphones made for studio sessions and audiophiles will still include a quarter-inch adapter. Neither of these connectors have better output ''quality'' than the other, but if you have humming or extra noise coming from the player when not playing tapes, it may be wise to test the other outputs to see if the result is cleaner.


Neither of these connectors have better output ''quality'' than the other, but if you have humming or extra noise coming from the player when not playing tapes, it may be wise to test the other outputs to see if the result is cleaner.
The main difference between these connectors is how they handle '''stereo'''. Players that have '''RCA''' or '''TS''' plugs will always have '''two''', labeled '''left''' and '''right (L & R)'''. This means your adapter cable will look like a normal 3.5mm cable on one end, but then split into two RCA or TS jacks to get a proper stereo signal.


The main difference between those connectors is how they handle '''stereo'''. Players that have '''RCA''' or '''TS''' plugs will always have '''two''', labeled '''left''' and '''right (L & R)'''. This means your adapter cable will look like a normal 3.5mm cable on one end, but then split into two RCA or TS jacks to get a proper stereo signal.
==== 3.5mm connector (1⁄8 in. TRS) ====
These are the most common form of a TRS cable and what most people are familiar with. While these need an adapter in order to be used on a deck, these are used on computers, phones, tablets, and all sorts of modern tech. We will use this format in order to record audio on a computer. It is ideally the most convenient option as the only things you would need for digitizing by this method are a long distance auxiliary cable (a.k.a. an aux cable) and a quarter-inch adapter. TRRS variants of this connector exist, but is not used for the digitizing process as the extra ring is for a headset microphone.  


'''BEWARE:''' '''most microphone jacks''' on computers '''will record in mono''', especially if they're combo jacks (that carry mic and headphone over one cable). To record '''proper stereo''', you'll need to use the '''LINE IN''' jack (usually on the back of your PC) or buy a small '''USB soundcard''' with stereo recording if you only have a laptop. Another option is to use an '''audio interface''' for recording, but they're more expensive and more advanced.
'''BEWARE:''' '''Most microphone jacks''' on computers '''will record in mono''', especially if they're combo jacks (that carry mic and headphone over one cable). To record '''proper stereo''', you'll need to use the '''LINE IN''' jack (usually on the back of your PC) or buy a small '''USB soundcard''' with stereo recording if you only have a laptop. Another option is to use an '''audio interface''' for recording, but they're more expensive and more advanced.


== Software setup ==
== Software setup ==


== Digitizing ==
== Digitizing ==
Digitizing itself is quite straightforward. Simple press record in audacity and play the tape on the player. If you hear nothing, you should troubleshoot your cables. If you hear a faint static, wait for a bit, as tapes usually have a bit of silence before the music starts.
Digitizing itself is quite straightforward. Simply press record in audacity and play the tape on the player. If you hear nothing, you should troubleshoot your cables. If you hear a faint static, wait for a bit, as tapes usually have a bit of silence before the music starts.


If you hear music, then congratulations! Your setup works. All you need to do now is play the tape back in full while recording in audacity. When your tape reaches the end, don't stop recording, just pull out the tape, flip it to the other side, and resume playback. We '''do not''' recommend '''auto reverse''' if your player has it.
If you hear music, then congratulations! Your setup works. All you need to do now is play the tape back in full while recording in audacity. When your tape reaches the end, don't stop recording, just pull out the tape, flip it to the other side, and resume playback. We '''do not''' recommend '''auto reverse''' if your player has it.
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'''Volume control'''
'''Volume control'''


If things are too loud, it will sound distorted and totally ruin your recording. To control this, you can tweak the level of volume on your player, along with the input volume on your computer. It's best to fix this before you record, as changing the volume in post will not help fix the recording. Instead, play a song off the tape in full and make sure Audacity's volume meter never reaches max. It's fine if this happens once or twice, but if your recording is "redlined", you should adjust your volume levels. The ideal setup is to have a healthy volume level on the player, and turn your computer input volume down to compensate. You should also make sure the level on the player doesn't max out either. Sometimes the tapes themselves were recorded loud and distorted, but there's no fix for that.
If things are too loud, it can totally ruin your recording. To control this, you can tweak the volume level on your player, along with the input volume on your computer. It's best to fix this before you record, as changing the volume in post will not help fix the recording. Instead, carefully monitor one of the songs in full and make sure Audacity's volume meter never reaches max. It's fine if this happens once or twice, but if your recording is "redlined", you should adjust your volume levels. The ideal setup is to have a healthy volume level on the player, and turn your computer input volume down to compensate. You should also make sure the level on the player doesn't max out either. Sometimes the tapes themselves were recorded loud and distorted, but there's no fix for that.


'''Pitch changes'''
'''Pitch changes'''
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== Troubleshooting ==
== Troubleshooting ==
[[Category:Info Pages]]

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