Rušimo rušimo sve - Revision history

Alzgamer at 07:07, 3 May 2026

2026-05-03T07:07:39Z

← Older revision		Revision as of 07:07, 3 May 2026
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	"'''Rušimo rušimo sve'''" (Serbian Cyrillic: "Рушимо рушимо све", <small>lit.</small> "We ~~Are Demolishing~~, ~~We Are Demolishing Everything~~") a song performed by ~~Serb~~ war singer [[Neđo Mitrović]]. It is notable for featuring a sample of "I Like To Move It" by Reel 2 Real, a song that was also released in 1994.		"'''Rušimo rušimo sve'''" (Serbian Cyrillic: "Рушимо рушимо све", <small>lit.</small> "We are demolishing, we are demolishing everything") a song performed by Serbian war singer [[Neđo Mitrović]]. It is notable for featuring a sample of "I Like To Move It" by Reel 2 Real, a song that was also released in 1994.

	==Music and lyrics ==		==Music and lyrics ==

Randomatribute20k: /* Music and lyrics */ Thanks for reminding me for removing it. I knew I forgot to do something yesterday lol

2025-04-25T19:11:32Z

Music and lyrics: Thanks for reminding me for removing it. I knew I forgot to do something yesterday lol

← Older revision		Revision as of 19:11, 25 April 2025
Line 16:		Line 16:
	This track is notable for its effects. It begins with a sample of the Reel 2 Real song "I Like To Move It" and ends with the sounds of gunshots and a woman breathing heavily. A vocal effect is applied to Neđo, which doubles his voice a major third in either direction. Parts of the song are also rapped rather than sung, similar to "[[Srbi supermeni]]". The motif used during the beginning of the song and transitions from chorus to the next verse is also heard in the [[Baja Mali Knindža]] song, "[[Pravoslavac]]". Both songs were arranged by this album's arranger, Goran Radinović.		This track is notable for its effects. It begins with a sample of the Reel 2 Real song "I Like To Move It" and ends with the sounds of gunshots and a woman breathing heavily. A vocal effect is applied to Neđo, which doubles his voice a major third in either direction. Parts of the song are also rapped rather than sung, similar to "[[Srbi supermeni]]". The motif used during the beginning of the song and transitions from chorus to the next verse is also heard in the [[Baja Mali Knindža]] song, "[[Pravoslavac]]". Both songs were arranged by this album's arranger, Goran Radinović.

	The song tells the story of a Muslim fighter going over enemy lines to have an affair with a Serb soldier. The word "hanuma" is a Turkish loan word that refers to a married woman.<ref>Viktor Veličković. "[https://zena.blic.rs/lifestyle/prevodi-turizama-u-srpskim-pesmama-o-ovome-pevaju-nase-pevacice/ynnqx68 SRPSKE PESME postale su preplavljene TURCIZMIMA koje niko ne razume: Evo o čemu pevaju naše pevačice kad pominju BEHUTA, KAZAMAT ili HANUMU]". ''zena.blic.rs''. 19 September 2023. Retrieved 15 April 2025.</ref> Within the context of the song, it is a placeholder ala a "Jane Doe". Both of these characters are fighting in a Muslim area, as another Turkish loanword, "šeher" is used to refer to a big city.<ref>Škaljić, Abdulah (1966). ''Turcizmi u srpskohrvatskom jeziku''. Sarajevo: Svjetlost, pg. 583. Retrieved 15 April 2025.</ref> Their affair is shown to be taboo as "Hanuma" entices the narrator to meet her at night with the two meeting on his side of the frontlines to make love. The narrator tells Hanuma to lie to a relative that her stomach is big because she ate a lot of bananas, and urges her that no one should know that the child is a "Vlach". Originally referring to the Serbs who inhabited the Dalmatian region, it is used by Muslims to refer to Serbs in a derogatory manner in the present day.<ref>Srdja Trifković (2010). "The Military Border". ''The Krajina Chronicle''. ISBN 978-1-892478-10-8. p. 25. Retrieved 15 April 2025.</ref><ref>Schindler, John R (1 January 2007). "Bosnia: The Real War". ''Unholy Terror: Bosnia, al-Qa’ida, and the Rise of Global Jihad''. Zenith Press. <nowiki>ISBN 0760330034</nowiki>. p. 197</ref> The song's title and the last part of the chorus may also be a way of implying a "Romeo and Juliet" scenario as their meeting is demolishing or breaking supposed societal norms (i.e. a Serb and Muslim being together being perceived as forbidden). The first two stanzas "Zakon o tvojoj vjeri islamu/Zakon o mome pravoslavlju" gives contrast to both characters as they are of different faiths with the subsequent stanzas having the characters fight on a metaphorical battlefield and the verses describing said fight.		The song tells the story of a Muslim fighter going over enemy lines to have an affair with a Serb soldier. The word "hanuma" is a Turkish loan word that refers to a married woman.<ref>Viktor Veličković. "[https://zena.blic.rs/lifestyle/prevodi-turizama-u-srpskim-pesmama-o-ovome-pevaju-nase-pevacice/ynnqx68 SRPSKE PESME postale su preplavljene TURCIZMIMA koje niko ne razume: Evo o čemu pevaju naše pevačice kad pominju BEHUTA, KAZAMAT ili HANUMU]". ''zena.blic.rs''. 19 September 2023. Retrieved 15 April 2025.</ref> Within the context of the song, it is a placeholder ala a "Jane Doe". Both of these characters are fighting in a Muslim area, as another Turkish loanword, "šeher" is used to refer to a big city.<ref>Škaljić, Abdulah (1966). ''Turcizmi u srpskohrvatskom jeziku''. Sarajevo: Svjetlost, pg. 583. Retrieved 15 April 2025.</ref> Their affair is shown to be taboo as "Hanuma" entices the narrator to meet her at night with the two meeting on his side of the frontlines to make love. The narrator tells Hanuma to lie to a relative that her stomach is big because she ate a lot of bananas, and urges her that no one should know that the child is a "Vlach". Originally referring to the Serbs who inhabited the Dalmatian region, it is used by Muslims to refer to Serbs in a derogatory manner in the present day.<ref>Srdja Trifković (2010). "The Military Border". ''The Krajina Chronicle''. ISBN 978-1-892478-10-8. p. 25. Retrieved 15 April 2025.</ref><ref>Schindler, John R (1 January 2007). "Bosnia: The Real War". ''Unholy Terror: Bosnia, al-Qa’ida, and the Rise of Global Jihad''. Zenith Press. <nowiki>ISBN 0760330034</nowiki>. p. 197</ref>

	The song uses various euphemisms to imply actions of the characters rather than explicitly say them. The use of "prsa u prsa" in the song's chorus may have a double meaning as "prsa u prsa" is the Serb equivalent to the English phrase "hand-to-hand" (as in "hand-to-hand" combat). The word "prsa" is also used to refer to one's chest,<ref>"[https://glosbe.com/en/sr/hand-to-hand%20combat hand-to-hand combat]". globse.com. Retrieved 15 April 2025.</ref><ref>"[https://hjp.znanje.hr/index.php?show=search_by_id&id=dl5vWBg%3D pȑsa]". hjp.znanje.hr. Retrieved 15 April 2025.</ref> meaning a possible translation can be "chest-on-chest". Together with the first part of the line, "Bijemo bitku prsa u prsa" implies an intimate act. Furthermore the stanza that precedes the mention of the phrase, "Tako mi moga časnoga krsta" (translated as "on my honorable cross") plays into this interpretation as based on the way it is worded, the speaker's "cross" is a way to figuratively refer to his genitalia.		The song uses various euphemisms to imply actions of the characters rather than explicitly say them. The use of "prsa u prsa" in the song's chorus may have a double meaning as "prsa u prsa" is the Serb equivalent to the English phrase "hand-to-hand" (as in "hand-to-hand" combat). The word "prsa" is also used to refer to one's chest,<ref>"[https://glosbe.com/en/sr/hand-to-hand%20combat hand-to-hand combat]". globse.com. Retrieved 15 April 2025.</ref><ref>"[https://hjp.znanje.hr/index.php?show=search_by_id&id=dl5vWBg%3D pȑsa]". hjp.znanje.hr. Retrieved 15 April 2025.</ref> meaning a possible translation can be "chest-on-chest". Together with the first part of the line, "Bijemo bitku prsa u prsa" implies an intimate act. Furthermore the stanza that precedes the mention of the phrase, "Tako mi moga časnoga krsta" (translated as "on my honorable cross") plays into this interpretation as based on the way it is worded, the speaker's "cross" is a way to figuratively refer to his genitalia.

BalkanMapper: /* Music and lyrics */ wording changes. Still not a big fan of the romeo and juliet comparison, i dont think the song is that deep lol

2025-04-25T12:59:03Z

Music and lyrics: wording changes. Still not a big fan of the romeo and juliet comparison, i dont think the song is that deep lol

← Older revision		Revision as of 12:59, 25 April 2025
Line 16:		Line 16:
	This track is notable for its effects. It begins with a sample of the Reel 2 Real song "I Like To Move It" and ends with the sounds of gunshots and a woman breathing heavily. A vocal effect is applied to Neđo, which doubles his voice a major third in either direction. Parts of the song are also rapped rather than sung, similar to "[[Srbi supermeni]]". The motif used during the beginning of the song and transitions from chorus to the next verse is also heard in the [[Baja Mali Knindža]] song, "[[Pravoslavac]]". Both songs were arranged by this album's arranger, Goran Radinović.		This track is notable for its effects. It begins with a sample of the Reel 2 Real song "I Like To Move It" and ends with the sounds of gunshots and a woman breathing heavily. A vocal effect is applied to Neđo, which doubles his voice a major third in either direction. Parts of the song are also rapped rather than sung, similar to "[[Srbi supermeni]]". The motif used during the beginning of the song and transitions from chorus to the next verse is also heard in the [[Baja Mali Knindža]] song, "[[Pravoslavac]]". Both songs were arranged by this album's arranger, Goran Radinović.

	The song tells the story of a Muslim fighter going over enemy lines to have an affair with a Serb soldier. The word "hanuma" is a Turkish loan word that refers to a married woman.<ref>Viktor Veličković. "[https://zena.blic.rs/lifestyle/prevodi-turizama-u-srpskim-pesmama-o-ovome-pevaju-nase-pevacice/ynnqx68 SRPSKE PESME postale su preplavljene TURCIZMIMA koje niko ne razume: Evo o čemu pevaju naše pevačice kad pominju BEHUTA, KAZAMAT ili HANUMU]". ''zena.blic.rs''. 19 September 2023. Retrieved 15 April 2025.</ref> Within the context of the song, it is a placeholder ala a "Jane Doe". Both of these characters are fighting in a Muslim area, as another Turkish loanword, "šeher" is used to refer to a big city.<ref>Škaljić, Abdulah (1966). ''Turcizmi u srpskohrvatskom jeziku''. Sarajevo: Svjetlost, pg. 583. Retrieved 15 April 2025.</ref> Their affair is shown to be taboo as "Hanuma" entices the narrator to meet her at night with the two meeting on his side of the frontlines to ~~be a little happy with him~~. The narrator tells Hanuma to lie to a relative that her stomach is big because she ate a lot of bananas, and urges her that no one should know that the child is a "Vlach". Originally referring to the Serbs who inhabited the Dalmatian region, it is used by Muslims to refer to Serbs in a derogatory manner in the present day.<ref>Srdja Trifković (2010). "The Military Border". ''The Krajina Chronicle''. ISBN 978-1-892478-10-8. p. 25. Retrieved 15 April 2025.</ref><ref>Schindler, John R (1 January 2007). "Bosnia: The Real War". ''Unholy Terror: Bosnia, al-Qa’ida, and the Rise of Global Jihad''. Zenith Press. <nowiki>ISBN 0760330034</nowiki>. p. 197</ref> The song's title and the last part of the chorus may also be a way of implying a "Romeo and Juliet" scenario as their meeting is demolishing or breaking supposed societal norms (i.e. a Serb and Muslim being together being perceived as forbidden). The first two stanzas "Zakon o tvojoj vjeri islamu/Zakon o mome pravoslavlju" gives contrast to both characters as they are of different faiths with the subsequent stanzas having the characters fight on a metaphorical battlefield and the verses describing said fight.		The song tells the story of a Muslim fighter going over enemy lines to have an affair with a Serb soldier. The word "hanuma" is a Turkish loan word that refers to a married woman.<ref>Viktor Veličković. "[https://zena.blic.rs/lifestyle/prevodi-turizama-u-srpskim-pesmama-o-ovome-pevaju-nase-pevacice/ynnqx68 SRPSKE PESME postale su preplavljene TURCIZMIMA koje niko ne razume: Evo o čemu pevaju naše pevačice kad pominju BEHUTA, KAZAMAT ili HANUMU]". ''zena.blic.rs''. 19 September 2023. Retrieved 15 April 2025.</ref> Within the context of the song, it is a placeholder ala a "Jane Doe". Both of these characters are fighting in a Muslim area, as another Turkish loanword, "šeher" is used to refer to a big city.<ref>Škaljić, Abdulah (1966). ''Turcizmi u srpskohrvatskom jeziku''. Sarajevo: Svjetlost, pg. 583. Retrieved 15 April 2025.</ref> Their affair is shown to be taboo as "Hanuma" entices the narrator to meet her at night with the two meeting on his side of the frontlines to make love. The narrator tells Hanuma to lie to a relative that her stomach is big because she ate a lot of bananas, and urges her that no one should know that the child is a "Vlach". Originally referring to the Serbs who inhabited the Dalmatian region, it is used by Muslims to refer to Serbs in a derogatory manner in the present day.<ref>Srdja Trifković (2010). "The Military Border". ''The Krajina Chronicle''. ISBN 978-1-892478-10-8. p. 25. Retrieved 15 April 2025.</ref><ref>Schindler, John R (1 January 2007). "Bosnia: The Real War". ''Unholy Terror: Bosnia, al-Qa’ida, and the Rise of Global Jihad''. Zenith Press. <nowiki>ISBN 0760330034</nowiki>. p. 197</ref> The song's title and the last part of the chorus may also be a way of implying a "Romeo and Juliet" scenario as their meeting is demolishing or breaking supposed societal norms (i.e. a Serb and Muslim being together being perceived as forbidden). The first two stanzas "Zakon o tvojoj vjeri islamu/Zakon o mome pravoslavlju" gives contrast to both characters as they are of different faiths with the subsequent stanzas having the characters fight on a metaphorical battlefield and the verses describing said fight.

	The song uses various euphemisms to imply actions of the characters rather than explicitly say them. The use of "prsa u prsa" in the song's chorus may have a double meaning as "prsa u prsa" is the ~~Serbo-Croatian~~ equivalent to the English phrase "hand-to-hand" (as in "hand-to-hand" combat). The word "prsa" is also used to refer to one's chest,<ref>"[https://glosbe.com/en/sr/hand-to-hand%20combat hand-to-hand combat]". globse.com. Retrieved 15 April 2025.</ref><ref>"[https://hjp.znanje.hr/index.php?show=search_by_id&id=dl5vWBg%3D pȑsa]". hjp.znanje.hr. Retrieved 15 April 2025.</ref> meaning a possible translation can be "chest-on-chest". Together with the first part of the line, "Bijemo bitku prsa u prsa" implies an intimate act. Furthermore the stanza that precedes the mention of the phrase, "Tako mi moga časnoga krsta" (translated as "on my honorable cross") plays into this interpretation as based on the way it is worded, the speaker's "cross" is a way to figuratively refer to his ~~phallic member~~.		The song uses various euphemisms to imply actions of the characters rather than explicitly say them. The use of "prsa u prsa" in the song's chorus may have a double meaning as "prsa u prsa" is the Serb equivalent to the English phrase "hand-to-hand" (as in "hand-to-hand" combat). The word "prsa" is also used to refer to one's chest,<ref>"[https://glosbe.com/en/sr/hand-to-hand%20combat hand-to-hand combat]". globse.com. Retrieved 15 April 2025.</ref><ref>"[https://hjp.znanje.hr/index.php?show=search_by_id&id=dl5vWBg%3D pȑsa]". hjp.znanje.hr. Retrieved 15 April 2025.</ref> meaning a possible translation can be "chest-on-chest". Together with the first part of the line, "Bijemo bitku prsa u prsa" implies an intimate act. Furthermore the stanza that precedes the mention of the phrase, "Tako mi moga časnoga krsta" (translated as "on my honorable cross") plays into this interpretation as based on the way it is worded, the speaker's "cross" is a way to figuratively refer to his genitalia.

	==Lyrics==		==Lyrics==

Ziwi: Punctuation

2025-04-15T23:45:32Z

Punctuation

← Older revision		Revision as of 23:45, 15 April 2025
Line 11:		Line 11:
	}}		}}

	"'''Rušimo rušimo sve'''" (Serbian Cyrillic: "Рушимо рушимо све", <small>lit.</small> "We Are Demolishing, We Are Demolishing Everything") a song performed by Serb war singer [[Neđo Mitrović]]. It is notable for featuring a sample of "I Like To Move It" by Reel 2 Real a song that was also released in 1994.		"'''Rušimo rušimo sve'''" (Serbian Cyrillic: "Рушимо рушимо све", <small>lit.</small> "We Are Demolishing, We Are Demolishing Everything") a song performed by Serb war singer [[Neđo Mitrović]]. It is notable for featuring a sample of "I Like To Move It" by Reel 2 Real, a song that was also released in 1994.

	==Music and lyrics ==		==Music and lyrics ==

Randomatribute20k: Translation and revised tekst. I was talking to some speakers and they're certain the "?" is not gotov because it doesn't make sense. Also filled out the Music and lyrics section. Not my best work honestly. I apologize in advance for my phrasing. Removed the second line as it could be a coincidence.

2025-04-15T11:57:20Z

Translation and revised tekst. I was talking to some speakers and they're certain the "?" is not gotov because it doesn't make sense. Also filled out the Music and lyrics section. Not my best work honestly. I apologize in advance for my phrasing. Removed the second line as it could be a coincidence.

Show changes

Ziwi: Added translation and fixed typo in lyrics and also added more context in music and lyrics

2025-04-15T09:20:59Z

Added translation and fixed typo in lyrics and also added more context in music and lyrics

@@ Line 13: / Line 13: @@
 ==Music and lyrics==
-The song begins with a sample of the 1994 song "I Like To Move It" by Reel 2 Real, and ends with the sounds of gunshots and a woman breathing heavily. The lyrics tell a story of a Bosniak woman falling in love with Neđo during war and having sex. The use of the word "hanuma" in the lyrics implies the woman was Bosniak or Muslim. Neđo refers to this act as a "fight" in the lines "Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju/Tako mi moga častoga črsta, bijemo bitku prsta u prsta". The song is also rapped rather than sung, and a vocal effect is applied to Neđo, which doubles his voice a major third in either direction.
+The song begins with a sample of the 1994 song "I Like To Move It" by Reel 2 Real, and ends with the sounds of gunshots and a woman breathing heavily. The lyrics tell a story of a Bosniak woman falling in love with Neđo during war and having sex. The use of the word "hanuma" in the lyrics implies the woman was Bosniak or Muslim. Neđo refers to this act as a "fight" in the lines "Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju/Tako mi moga častoga črsta, bijemo bitku prsta u prsta". Though the sex is not directly stated, Neđo mentions having a child with the woman in the line "Ne odaj tajnu ljubavi naše, ne reci da je djete vlaše". The second part of the line translates to "Don't say that the child is Vlax", most likely referencing that Muslim Roma are sometimes not considered a part of the Vlax group, and it is implied that the woman is expected to lie and say the child is Xoraxana. The song is also rapped rather than sung, and a vocal effect is applied to Neđo, which doubles his voice a major third in either direction.
 ==Lyrics==
@@ Line 48: / Line 48: @@
 Hanuma mi, hanuma mi u rov dolazila,
-Da pisamnom, da pisamnom malo srećna bila.
+Da bi sa mnom, da bi sa mnom malo srećna bila.
 Hanuma mi, hanuma mi u rov dolazila,
-Da pisamnom, da pisamnom malo srećna bila.
+Da bi sa mnom, da bi sa mnom malo srećna bila.
 Tako u rovu kraj mene spade, komanda lezi gotov spade,
@@ Line 91: / Line 91: @@
 ===Lyrics (English):===
 <poem lang="en">
-[TBA]
+I like to move it, move it
 </poem>
 |}
 [[Category:Songs]]

Ziwi: I think this is worse than the Goran Legenda one. Will put translation later because I don't fully understand the wording.

2025-04-15T00:40:33Z

I think this is worse than the Goran Legenda one. Will put translation later because I don't fully understand the wording.

New page

{{Infobox song
| name = Рушимо рушимо све
| type = song
| artist = [[Neđo Mitrović|Неђо Митровић]]
| album = [[Ne damo mi svoje|Не дамо ми своје]]
| English_title = We Are Wrecking, We Are Wrecking Everything
| released = {{Start date|1994}}
| genre = [[Novokompovana narodna muzika|Novokompovana]], Rap
| length = {{Duration|m=3|s=58}}
| label = [[Mind Produkcija|Neđo Disk]]
}}
'''"Rušimo rušimo sve"''' (Serbian Cyrillic: "Рушимо рушимо све", <small>lit.</small> "We Are Wrecking, We Are Wrecking Everything") a song performed by Serb war singer [[Neđo Mitrović]]. Due to the similarities in the melody and lyrics of [[Ne damo mi svoje (Song)|Ne damo mi svoje]], it is most likely a continuation or follow-up to the song.

==Music and lyrics==
The song begins with a sample of the 1994 song "I Like To Move It" by Reel 2 Real, and ends with the sounds of gunshots and a woman breathing heavily. The lyrics tell a story of a Bosniak woman falling in love with Neđo during war and having sex. The use of the word "hanuma" in the lyrics implies the woman was Bosniak or Muslim. Neđo refers to this act as a "fight" in the lines "Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju/Tako mi moga častoga črsta, bijemo bitku prsta u prsta". The song is also rapped rather than sung, and a vocal effect is applied to Neđo, which doubles his voice a major third in either direction.

==Lyrics==
{| class="toptextcells" cellpadding="10" width="100%"
|-
|
===Lyrics:===
<poem>
I like to move it, move it
I like to move it, move it
I like to move it, move it
You like to, move it!

Šeher Bosna, šeher Bosna poželjela sunca,
mnoge žene, mnoge žene poželjela mene.
Šeher Bosna, šeher Bosna poželjela sunca,
mnoge žene, mnoge žene poželjela mene.

Jedna me hanuma u nemir tjera, zove preko radio amatjera,
Da dođem da joj ljubim oči, u rovu u sve crnije noći.
Jedna me hanuma u nemir tjera, zove preko radio amatjera,
Da dođem da joj ljubim oči, u rovu u sve crnije noći.

Rušimo, rušimo sve!
Rušimo, rušimo sve!

Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju,
Tako mi moga častoga črsta, bijemo bitku prsta u prsta.
Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju,
Tako mi moga častoga črsta, bijemo bitku prsta u prsta.

Rušimo, rušimo sve!
Rušimo, rušimo sve!

Hanuma mi, hanuma mi u rov dolazila,
Da pisamnom, da pisamnom malo srećna bila.
Hanuma mi, hanuma mi u rov dolazila,
Da pisamnom, da pisamnom malo srećna bila.

Tako u rovu kraj mene spade, komanda lezi gotov spade,
I onda ona bez jednog kuca, obori mene snagom poljica.
Tako u rovu kraj mene spade, komanda lezi gotov spade,
I onda ona bez jednog kuca, obori mene snagom poljica.

Rušimo, rušimo sve!
Rušimo, rušimo sve!

Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju,
Tako mi moga častoga črsta, bijemo bitku prsta u prsta.
Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju,
Tako mi moga častoga črsta, bijemo bitku prsta u prsta.

Rušimo, rušimo sve!
Rušimo, rušimo sve!

Do zore je, do zore je ljubila me luda,
Od ljubavi, od ljubavi otekla mi usna.
Do zore je, do zore je ljubila me luda,
Od ljubavi, od ljubavi otekla mi usna.

Ako za stomak upita nana, ti reci jela mnogo banana,
Ne odaj tajnu ljubavi naše, ne reci da je djete vlaše.
Ako za stomak upita nana, ti reci jela mnogo banana,
Ne odaj tajnu ljubavi naše, ne reci da je djete vlaše.

Rušimo, rušimo sve!
Rušimo, rušimo sve!

Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju,
Tako mi moga častoga črsta, bijemo bitku prsta u prsta.
Zakon o tvojoj vjeri islamu, zakon o mome pravoslavlju,
Tako mi moga častoga črsta, bijemo bitku prsta u prsta.

Hej!
</poem>
| style="margin-left:2em" |
===Lyrics (English):===
<poem lang="en">
[TBA]
</poem>
|}
[[Category:Songs]]